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Ian H. Boyden (born February 16, 1971) is a contemporary American painter, sculptor, and book artist, known for the paints and inks he makes from materials such as meteorites, shark teeth, and freshwater pearls. His paintings are often abstract interpretations of how the pigment materials are understood according to historical, literary, and psychological contexts.〔Bai, Qianshen, et al., Flowing Movement: The Material Imagination of Ian Boyden. Shanghai: Shanghai Cultural Press, 2012.〕 Boyden’s early years were spent under the influence of the artist Margot Thompson, a student of northwest calligrapher and philosopher Lloyd Reynolds, and Boyden’s father, ceramic artist Frank Boyden. He earned a B.A. in Art History from Wesleyan University (1995), and an M.A. in the History of Art from Yale University (1998).〔Lamberton, Daniel, Mirror over Tunguska / Translations from the Azurite. Portland and Ketchum: Augen Gallery and Ochi Fine Art, 2005.〕 In 1995, He received a Thomas J. Watson Fellowship to study the history of Chinese calligraphy as inscribed in stone. Boyden’s scholarly and artistic interests in inkmaking are rooted in his discovery of ancient Chinese ink recipes. His inkmaking practice and scholarly investigations involve how ingredients function esoterically as well as practically in the resultant paintings. On the basis of his contributions to the study of ink, he was invited to be the 2011-12 scholarly artist-in-residence for Suzhou University (Jiangsu Province, China). During that time, the Suzhou-based Jincheng Media Group invited him to be the 2012 artist-in-residence and to both produce paintings and install conceptual sculptures in the fish ponds of the site’s classical Chinese garden. The work culminated in a solo exhibition〔"Indelible Traces--Eastern Presence in Ian Boyden’s Art", exhibit at the (Suzhou Museum )〕 of books, paintings, and video at the Suzhou Museum.〔Bai, Qianshen, et al., Flowing Movement: The Material Imagination of Ian Boyden. Shanghai: Shanghai Cultural Press, 2012.〕 Boyden’s artist books demonstrate traditional bookmaking practices of sewn bindings, wood covers, handset type, and letterpess printing. Other books depart from such tradition and apply the understanding of a book as a sequenced experience to objects like meteorites, which are sliced and set into a hinged binding so they can be “read” as both objects of scientific interest and structural interpretation. Boyden has collaborated with writers Sam Hamill (Habitations, Edible Earth, and Crossing the Yellow River); and spouse, Jennifer Boyden (Evidence of Night, and Twenty Views of Cascade Head);〔Wallace, Eileen, Masters: Artist Books: Major Works by Leading Artists. Asheville, NC: Lark Books, 2011.〕 and artists Tim Ely, Rick Bartow, Hua Rende, Ch’ang Chung-Ho, and William Balcom. ==Books== Frank Boyden: Prints and Books. Co-authored with Prudence Roberts. Salem, Oregon: Hallie-Ford Museum of Art, 2006. Roots of Clouds, Transcendence of Stones. Co-authored with Jennifer Boyden and Terry Toedtemeier. Walla Walla, Washington: Donald H. Sheehan Gallery (Whitman College), 2006. Reflections on Forgotten Surfaces: The Calligraphy of Hua Rende. With contributions by Rende Hua and Qianshen Bai. Walla Walla, Washington: Donald H. Sheehan Gallery (Whitman College), 2005. The Tables of Jupiter: Graphic Work by Timothy C. Ely. Walla Walla, Washington: Donald H. Sheehan Gallery (Whitman College), 2004. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Ian Boyden」の詳細全文を読む スポンサード リンク
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